Nearly two decades ago, in Payne v. Tennessee (1991), the Supreme Court held that the Eighth Amendment did not bar the introduction of “victim impact evidence” at the penalty phase of capital trials. The Court held that just as the Constitution gave defendants the right to present evidence designed to avoid imposition of the death penalty, it did not forbid testimony designed to show the victim was a unique human being whose loss left an impact on the survivors and society at large.
At the opening conference at the end of September, the Justices will decide whether to grant review in a case involving whether the Constitution nonetheless places limits on how such evidence may be presented. The petition in Kelly v. California (07-11073) asks whether the presentation of what might be called video scrapbooks – containing photographs and home movie footage of the victim, and, in this case, set to background music – can so prejudice the jury as to deprive the defendant of a fair trial in violation of the Due Process Clause of the Fourteenth Amendment, or create an arbitrary risk of capital punishment in violation of the Eighth Amendment.
The case stems from the capital murder trial of Douglas Oliver Kelly, whom a California jury convicted in the 1993 killing of Sarah Weir, a 19-year-old he had befriended at a local gym. According to an autopsy, the victim — whose body was found naked — had been stabbed twenty-nine times with a pair of scissors. Less than three months later, authorities arrested the defendant as he attempted to re-enter the country through Mexico, finding two of the victim’s personal checks, containing what appeared to be her signature, in his possession.
At trial, four women testified to having been separately raped by the defendant in the decade before the crime – including one woman who testified the defendant raped her less than two weeks before the victim’s murder, at the same apartment where her body was found, and while holding a pair of scissors to her throat. The defendant offered no evidence at the guilt or penalty phase, and the jury imposed a death sentence.
On appeal, among other issues, the defendant challenged the introduction at the penalty phase of a nearly twenty-minute video montage of the victim’s life (available below). Prepared and narrated by the victim’s adoptive mother, the film contained roughly ninety photos of the victim from infancy through high school graduation. Interspersed among the photos were a dozen video clips, some lasting a few minutes, showing the victim engaged in various childhood activities, such as playing with friends in a pool, readying her Halloween costume, and singing in a school choral group. In the background plays music by Enya – one of the victim’s favorite artists – an Irish musician known for layering recordings of her singing in different languages.
In the final minute, following photographs of the victim’s grave site, the film concludes with video of horsemen riding across the Canadian countryside. The victim’s mother says, “As time goes by I try very hard not to think of Sarah in terms of this terrible crime that we’ve had to deal with here in the court, but rather think of her in a place like this…This is filmed in Southern Alberta, the land where Sarah’s people lived for so many generations. This is the kind of heaven she seems to belong in.” (The victim, a Blackfoot Indian, was born in Canada.)
(The first half of the video is available below. The second half, along with further information about the case, is available after the jump. To download the full video, click here.)
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